Hi everyone! I wanted to write a post because I have a really fun announcement. My good friend, Claribel Ortega, has long been an up-and-coming voice in the publishing world. She started a podcast, Write or Die Podcast, this year to highlight the journeys of writers and their struggles to achieve their dream of being published authors.
Write or Die is a podcast that aims to share the real stories about what it takes to become an author – the gritty, infuriating, pull your hair out because it’s been years – stories of writers who didn’t give up despite it all, and are now living out their dream. It’s hosted by authors Claribel Ortega & Kat Cho and releases every Friday.
You’ve probably guessed the announcement by this blurb (and from the title of this post), but I’m going to say it anyway…
I am the new co-host of Write or Die Podcast! 🎉😍😱💯📚
I am so excited to get to spend time talking to inspirational authors with my best friend! Hope you guys can tune in and check it out. If you want some suggestions then here’s the episode that inspired us to try out this co-hosting thing, my interview: Ghostober Episode 3: Kat Cho & The Monthly Whale Fight
And here’s my first official episode as co-host (we get to interview the amazing Laura Sebastian, author of ASH PRINCESS): Episode 21: Laura Sebastian & The Great Publishing Bake Off
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| TAGS:podcast, writing advice, writing journey, writing tools
So, I am stealing an idea from my writer BFF, Claribel Ortega and posting some of my content a month after it appears in my newsletter. It won’t be everything, just stuff that I think might be interesting to people and probably anything that is a record of my journey in publishing! So here we go!
This post originally appeared in the July 2018 edition of my newsletter Readiculous Musings. You can subscribe for it HERE.
Things are pretty hard these days. And it’s a time where I’ve seen a lot of questions being asked in terms of being a writer, especially if our stories are more the fanciful, escapist kind (mine definitely are). Is it okay to talk about your books and to promote them when things in the world seem to be so dire for so many?
The answers that I see are varied. And I will admit that perhaps the conversations I’m privy to are cherry picked because of who I choose to follow on social media. But my take-away is that we should not only keep creating and talking about our stories, but that they are needed now more than ever. I am, of course, speaking from the point of view of a woman of color. So, I am a bit biased in the fact that I think stories by marginalized groups are really important in times when empathy is lacking in the leadership of my country.
After the depressing ruling by the SCOTUS about the travel ban, I tweeted something that isn’t new. In fact, I will readily admit that I’d seen this message tweeted multiple times in response to mutliple bigoted actions of the current administration: Studies prove that reading fiction fosters empathy in readers.
My interpretation of this is that people who read and read widely are more likely to understand their neighbor’s better. Less likely to be afraid because something is “unknown.” More likely to be open-minded to hearing the stories of others and to reach out a helping hand. And when we write for kids and teens, it’s important now more than ever to create stories that can create and foster empathy.
It’s okay if people have found it hard to keep writing in today’s climate. But if you can, and if you want to, then don’t let a sense of guilt keep you from creating your art. Throughout history art has been the best and brightest tool of battling oppression. So many have created new forms of art in order to preserve their culture and humanity when others would seek to strip it from them. And now is no different. We have a right to tell our stories. And, hopefully, these stories can help bring a bit of light into the world.
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So, I was inspired by my own revisions to write out a quick post based on my methods and path toward shiny happy manuscript town. To be honest, I still live in revision land which I describe as a a town sitting on a giant cliff (good for screaming into the void), a cave of despair, and a fountain of wine.
So, without further ado, my main revision steps:
‣ “mulling” period/Absorb the critique – I usually take 1-3 days to just mull over the notes. (This time frame changes with when my deadline is but I always take at least 24 hours)
• DO NOT automatically reject any critique/note. Allow them all to sit through the “mulling” period.
‣ Organize the feedback into themes or topics (e.g. Pacing, Character arc of MC, Character arc of antagonist, world-building, inciting incident, climax, etc)
• If I have feedback from more than one person I like to combine all of the notes and organize them according to section, theme, or topic.
‣ Brainstorm solutions and ideas
• If I have an idea before my “mulling” period is over I will still write them down, but I don’t pressure myself to start this process until I’ve absorbed everything.
• This is when you can decide which notes are the most effective for your story and which don’t go with the themes or tone you’re going for. Be open minded. The whole time as it’s easy to think that something doesn’t “go with the story” when really it’s just a hard problem to solve and we long to throw it out
‣ Plan out which points I want to tackle first, second, third, and so on. So, for the last revision I did I wanted to work on adjusting the inciting incident first because that would affect the entire rest of the story. Then I wanted to work on character arc because that was influenced by inciting incident and was important because it spoke to the main relationship. THEN I did line-edits and addressed pacing issues.
‣ Optional: Create a schedule if you have a set deadline. Make sure to build in a bit of a buffer at the end just in case you go slower than you anticipated.
• Do NOT feel bad for days that you do not work on the revision. That’s why we built in that buffer!
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Apr11, 2018 |
Filed in:Author Life
Hi all! Do you notice anything different about the website? If you answered, “It’s completely different Kat, duh. That’s so obvious.” Then you’re right! I got a brand new website design courtesy of the amazingly talented Tessa Elwood at ipopcolor. She was an absolute dream to work with and I owe all of the gorgeousness here to her!
Another thing I’ve finally started up is my author newsletter! I am hoping it’ll be a chance for me to share an in-depth view on my debut journey and beyond! If you’d like to receive my strange ramblings directly to your inbox then sign up below!
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You guys, I’m going to be published!
Okay, it’s been a MINUTE since I posted and I’m so sorry about that, but it’s for a GOOD reason. I was busy figuring out my new life in NYC and selling my debut novel, GUMIHO! It will be published with Putnam Books for Young Readers/Penguin Random House. You can add it on Goodreads HERE. I promise I’ll write more about my journey and other details soon, but I just wanted to share this exciting news with you!!!
🎉🎉🎉📚SO RIDICULOUSLY EXCITED to share my news with y’all! My #ownvoices #YA #fantasy debut novel #GUMIHO is going to be published with Putnam (@PenguinTeen)! I cannot wait for you all to meet Miyoung & Jihoon and all the K-drama angst! 🦊🇰🇷❤️👺
Hi everyone! Just wanted to check in and let you know what’s going on in my life and why I haven’t been uploading as much lately. The biggest thing is that I got a book deal! If you’re interested I have a link to my Goodreads page below!
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Hey guys, I am so excited to share the first ever podcast interview I’ve ever done! It was with 88 Cups of Tea one of my ABSOLUTE FAVES! And I am still pinching myself because I can’t believe I had this amazing experience. It was for their celebratory 88th episode (congratulations Yin and Moonlyn!) and I was one of the lucky listeners picked to interview. Previous episodes of 88 Cups of Tea included interviews with greats like Leigh Bardugo, Jenny Han, Alexandra Bracken, Renee Ahdieh, and V.E. Schwab! So I am so star-struck by this podcast and Yin (the amazing host!)
I’d say definitely check out all the episodes and listen to all 8 amazing listener interviews on this super fun episode (I’m around the 1:37:40 point)
Ya’ll. The 88th episode has arrived. Dun dun DUN! Today’s milestone episode is proudly sponsored by Sun Basket and BookCon. It features eight incredible listeners from our 88 Cups of Tea community. I remember when I first launched this podcast, the 88th episode seemed so far fetched.
And visit their website for the show notes and their archive of all the episodes: HERE
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| TAGS:podcast, writing advice, writing journey
I present to you my story of how I got my agent
(Warning: This post is LONG and full of GIFs):
I started my professional writing journey when I had a weird dream (yea, I know, one of those people). I told my cousin about it because she’s a writer and I said, “Do you think that could be a book you would write?”
She said, “No, but you could write it.”
And I felt like that was a ridiculous idea. So I wrote it.
It was the worst book ever. But it rekindled a love of writing that I had in middle school and high school where I would fill spiral notebooks with chapter books that I would write all day and night long. One story was a fanfic retelling of Brian Jacques’ Redwall. I had one series about horse racing and muuurder!
Anyway, after writing that first book, which I still adore in a way I can’t explain even though I don’t want anyone to read it ever, I realized that writing had never stopped being my dream. I had just taken some detours along the path of my life.
So, I sat down to write a story based on one of the dozens of ideas I had come up with while writing that first story. And I thought I was being very business savvy to choose the book that felt more “marketable.” Yup, I did that. I was a dumb-dumb, thinking I could control my fate.
That isn’t to say that I didn’t love the story I decided to write. I truly did, but it was a story I wrote for all the wrong reasons even though I loved it at the time. I wrote it to be current and that is a number one big no-no I’ve heard. I think it showed in the MS.
But, I did get that book all polished and spiffy and I went to my first ever writing conference with it. I got great feedback from agents and editors and I got two requests for pages from pitches I recited from a memorized script I’d taken weeks to write.
It all seemed to be a very good next step. And it really was. I learned a lot from that experience and I am a better writer and person because of it.
So, I dove into the query trenches with my head held high.
I queried about 40 agents with that book and I got rejected. Like hardcore rejected. I think I got a couple requests for partials. And then all rejections. Some came quickly, some trickled in 9 months to a year later. They were all very professional, some even personalized a bit. The agents I’d met at the conference were the kindest you could ever imagine even as they told me the story wasn’t for them.
Suffice it to say, I was distraught. And I did the stupid thing and let myself wallow a bit too long. I got deep into writer’s block and couldn’t dig myself out of it for months.
I started two new books with the idea that I would push myself out of the rut. I was lucky enough to have gained a critique group from that conference and they were great at cheering me on, telling me that my WiPs sounded awesome, reading pages.
But, I just couldn’t get into my writing again. I did an online writing conference (Write On Con) and it helped boost me a bit. I did NaNoWriMo and that helped me get perspective on my writer’s block.
And finally, I decided to write a book that I was terrified to write. Partly because I didn’t think I was ready and partly because I loved it too much already. What if I mess it up? What if it was a big flop?
The moment I knew I was writing the right book was when I was told not to write it and I did it anyway. To be fair, the person who told me not to write it wasn’t saying I *couldn’t* write it, but just saying that I was stepping into a place that was untried and potentially full of places to trip up and fall. I was writing a book set in Korea based on Korean mythology about gumihos and I very creatively called it GUMIHO.
I am forever grateful that I approached this project with hope instead of fear. I had the hope that people would see the merit in my work, in my story and in my culture. I had the hope that I could give life to a land that I truly love with all of my heart. And I had hope that people would support my dream even as they feared for my feelings being trampled again.
In the end, I went with my heart and that made all the difference. The response to this project was a complete 180 from my last “thought out and targeted” MS. Where I had written to trend before, I wrote for myself this time.
I first experienced positive feedback when I went to a conference, Romantic Times Convention (RT Con). It was my first time pitching at such a huge event. And I was overwhelmed not only by the many agents and editors, but by the presence of some of my idol authors. It was actually perfect for me because I was distracted from my own nerves until the moment I was supposed to go pitch. And I didn’t have time to get stuck in my own head.
I also did a thing where I didn’t memorize a pitch that I’d prewritten. Instead, I made a list of three main points that I knew I had to hit when I pitched and I acted like myself. I wanted the heart of my story to get across, not just the plot.
I’m going to copy paste from a post I wrote for my other blog about what I learned from my RT experience:
1) Just do it. You can’t hold in your work forever if publishing is your end goal.
2) Don’t be afraid to ask for advice. I met a lot of great authors who were more than willing to let me pitch practice on them.
3) Accept it if your story isn’t for everyone. Some agents loved my pitch, some didn’t. It’s the fact of a subjective industry and you just have to keep trucking.
4) DO NOT try to fit your whole story into your pitch. Just tell the main gist and the main character. If you go ham, the agent will just go to their happy place and not follow your thread. I literally pitched my book as a concept instead of a full plot and I got requests. It was epic 🙂
Some advice given to me by Agents who requested:
1) Take your time! Do not send the MS right away if it is not squeaky shiny! It’s hard not to just flood all of the agents that request, but it’s kind of like being considerate that they want your best because you’d want their best if they were your agent.
2) Be excited! This is happy times! You got requests! At one point I couldn’t stop smiling as I spoke to an agent and I apologized about my face (yes, you’re allowed to laugh at me). She said it was fine, that she was happy for me too. (Agents are super nice y’all).
Then #DVPit happened. I told myself not to be greedy, said that I had opened a very nice door for myself with RT Con. And then, of course, I had to just dip my toe in. Partly because DVPit was so INSPIRATIONAL! There were amazing stories pitched and wonderful #ownvoices. And the support of the community was unprecedented.
This is what I learned during #DVPit:
(Again, copy pasting from my old post about my lessons learned)
1) Be simple with your Twitter Pitch. If you were simple with your conference pitch, do that times TEN for twitter. You only have 140 characters!
2) community is everything! Signal boost your favorite pitches. Many participants were paying it forward and it was magical to see. Seriously, I love my writer community!
3) It’s full of hope! To see these unagented/unpublished authors right now and to KNOW that their books will be published in due time. It just makes you happy warm inside.
4) Take this opportunity to cultivate new relationships. Tweet at people if you like their pitch. Say thank you when they like yours back. And be respectful ALWAYS of the time put into a huge event like this! (Seriously #DVPit trended nationwide, that’s epic).
5) Also, know that agents and editors are still professionals, don’t ask them weird personal stuff. And when you query keep it as professional as if it was a cold, slush-pile query.
#DVPit gave me so much support. Not only from the agents and editors, but from the community. It was a coming together of people who love stories and love what DVPit represented and held each other up. After that day, I was a ball of emotion, but good emotion.
And then, I felt immediately like I was unprepared for life and I freaked out (for a few weeks).
So I did “research” and looked into EVERY agent who requested in detail. I took way too much time preparing myself for what I was sure would be a rocky query ride.
It was actually good that I did a lot of research because it is smart to know who you are querying. And it gave me a chance to settle down after the great adrenaline rush that was RT Con and DVPit.
So, I sent out ONE query and I had a HUGE case of imposter syndrome IMMEDIATELY.
It’s so hard to put yourself out there. I had many moments where I felt like I was flailing in the wind. This is where your friends, family, and critique partners (CPs) come in handy.
ESPECIALLY my CPs. They knew my struggle. They understood the industry and what I was experiencing. Talking to them was like talking to someone who was running a marathon beside me. They were the rock that held me to the ground when my body wanted to just get up and fly away and be like, “Nope, I can’t exist in this world any longer.”
Well, fate had a funny way of taking my plans and turning them all topsy turvy, because the Thursday before Book Con I got an email from an agent to ask for a call. I was so flustered that I set up the call for the next day. And then I cried. My coworkers were quite concerned by my sudden outburst, but I’m lucky to work with very understanding people. They gave me supporting hugs and pats even as they didn’t fully understand why I was a hot mess.
I spent the next 24 hours convincing myself that it wasn’t THE call. My CPs were more confident than me, they said an agent doesn’t call out of the blue for an Revise & Resubmit. I was trying to temper my expectations (I was a fool to think I could do that!)
Well, my CPs were right (as they usually are). It was thrilling and surreal to talk about my book with an industry professional who liked it enough to want to represent it.
My hands were shaking by the time I got off the phone.
So, I went off to Book Con and I was a wreck. I cried a lot that weekend (but happy tears).
I gave other agents with my full, partial or query two weeks to get back to me with their thoughts on my MS. And now I was in territory I had never stepped into. I had queried before, I had gotten requests before, I had gotten rejected (many times) before. But I had never been in a place where I knew there was happiness at the end of the rainbow.
As you can imagine, I was pretty much in a fugue state for a full two weeks.
I went through phases during that time where I was like, “I got this. I can pull this around and be fabulous even though I look a hot mess.”
My CPs definitely got an ear-full when I was in those moments, because I had to talk out my reasons for why I was totally cool as a cucumber EVEN THOUGH I OBVIOUSLY WASN’T!
Finally D-Day came (not fast enough if you ask me. I’m pretty sure I found a break in the time-space continuum and it’s the two weeks after you get an initial agent offer).
In the end, I found an agent who loved my book and understood me as a writer.
I feel so lucky to be able to say that I’ve signed with the amazing Beth Phelan and I couldn’t be happier!