Eight kids show Matt de la Pena the the real reason We Need Diverse Books. *mic drop* Visit our Indiegogo campaign to support our mission: http://igg.me/at/diversebooks TRANSCRIPT: Matt de la Peña: So, hey guys. I just wanted to ask you a couple of questions about books. I’m an author, right.
Since there was more interest in my Diversity Conversation post than I expected (and because I do not consider myself an expert on this topic),
In honor of Author Mentor Match, I made ANOTHER vlog. I know, I know. You’re thinking, “Kat, can you calm down on these vlogs?” And my answer is “NEVER!” Haha, Just kidding.
Anyway, I wanted to make a video about Mentorship Programs before AMM opens to applications in April. And I tapped into my friends and CPs to give you all some insight!
Prepare yourselves! I’ve infiltrated ANOTHER social media platform. This time it’s youtube/vlogging/authortube. It came about as most of my social media obsessions do, a random conversation with my cousin and my sister. As I said in my last post, I’m going to go to a few conferences and to Seoul, so I decided a great way to share those trips would be via vlog.
Here’s my first (kind of shaky,
I’ve watched the conversation around diversity change over the past few years when it comes to literature and YA/kidlit in particular. I took interest for obvious reasons, I am a writer of color who wants to write about my own experiences and heritage. However, even as a POC I was not prepared for some of the hard lessons I’ve learned over the past few years. And I came to realize that it’s because I didn’t have the foundation for it yet.
Hello friends, I’ve been thinking about writing a Twitter 101 post for awhile. Not only because I think Twitter is ah-maz-ing, but because I know Twitter can be confusing as all heck! It’s like when you see your grandma posting random questions on your Facebook feed and you realize she thinks Facebook is Google. And you laugh and think “Oh, Grandma.” Well, that’s us when we don’t know how to use Twitter.
I want to write an honest post about something that has always worried me and probably will always worry me as I keep writing about my heritage. It’s a special kind of imposter syndrome, the fear that I am appropriating my own culture for my art.
There are so many conversations about #ownvoices and #ownyourown. There are so many people saying meaningful and important things. Sometimes I try to chime in,
Hey guys, I know I haven’t written in a bit, and that’s partly because I didn’t have too much to write about. My day job has been really busy and I am finished with my bigger round of revisions (finally!). However, I came back to talk about something that has been a theme of many conversations I have lately:
Here’s the thing.
I’m not an expert on pitching, but I am one of the few people who kind of loves it.
So, I was hoping this post could be informational but also share my love of pitching.
First, the reasons I love pitching (in conferences):
– It’s face-to-face, so you can get a feel of the agent/editor and their reaction to your story.
I already wrote a step-by-step querying guide HERE. But I left out the biggest piece of the puzzle: Writing the query letter.
So here you go, my attempt at a query letter guide.
First and most important piece of advice I can give is to read successful queries!
So, I just went through the journey we call querying and I thought I’d write about it since I love step-by-step guides.
This post probably won’t be completely comprehensive, but I did try to include everything I personally had questions about. And if you have any additional questions, feel free to ask them in the comments and I’ll try to use my resources, friends, CPs, etc. to answer them.